{"id":545,"date":"2021-08-04T02:37:00","date_gmt":"2021-08-04T00:37:00","guid":{"rendered":"https:\/\/www.abcdrduson.com\/special\/annee-rap-2021\/?p=545"},"modified":"2022-01-09T22:38:20","modified_gmt":"2022-01-09T21:38:20","slug":"le-sacre-de-jadakiss","status":"publish","type":"post","link":"https:\/\/www.abcdrduson.com\/special\/annee-rap-2021\/le-sacre-de-jadakiss\/","title":{"rendered":"Le sacre de\u00a0Jadakiss"},"content":{"rendered":"\n

C\u2019est une petite phrase qui a lieu apr\u00e8s un peu plus d\u2019une heure d\u2019affrontement, au time code 01:15:00 pour \u00eatre exact, de ce qui a \u00e9t\u00e9 le Verzuz le plus \u00e9pique de cette ann\u00e9e, celui opposant The Lox aux Diplomats. Alors que ses opposants d\u2019Harlem jouent l\u2019un de leur plus gros hits, \u00ab\u00a0Dipset Anthem\u00a0\u00bb, Jadakiss, survolt\u00e9 toute la soir\u00e9e et aff\u00fbt\u00e9 autant dans ses rimes que dans son trash talk, s\u2019adresse directement \u00e0 la cam\u00e9ra. \u00ab\u00a0It\u2019s good, but it\u2019s not enough !\u00a0\u00bb<\/em> dit-il, en accentuant sa prononciation par un air sarcastique. Les quelques secondes sont tellement bien interpr\u00e9t\u00e9es qu\u2019elles en sont devenues un gif<\/a>. \u00c0 cet instant de la soir\u00e9e, le rappeur de Yonkers, ville limitrophe au Nord de New York, a raison : malgr\u00e9 leur catalogue, leur aura, leur mythe, ce soir-l\u00e0 les Diplomats ont \u00e9t\u00e9 corrects, sans plus. Mais surtout le trio des Ruff Ryders \u00e9tait pr\u00eat pour l\u2019\u00e9v\u00e9nement : routines (le dos \u00e0 dos de Jada et Styles pour leur passe-passe sur \u00ab\u00a0Banned from TV\u00a0\u00bb), automatismes avec Technician, leur DJ<\/a>, pour r\u00e9pondre coups par coups \u00e0 leurs adversaires, et rap sans filet de s\u00e9curit\u00e9, directement sur les instrumentaux, contrairement \u00e0 des Dipset souvent paresseux sur leurs propres morceaux. Ce soir d\u2019ao\u00fbt au Madison Square Garden, les Lox, et particuli\u00e8rement Jadakiss, ont \u00e9t\u00e9 intenables, insurmontables.<\/p>\n\n\n\n

Lorsque Jadakiss se d\u00e9barrassait des imp\u00e9ratifs pop impos\u00e9s par l\u2019industrie musicale, il \u00e9tait l\u2019un des rappeurs les plus redoutables<\/p><\/blockquote>\n\n\n\n

\u00ab\u00a0It\u2019s good, but it\u2019s not enough\u00a0\u00bb<\/em>. Une sentence qui a pourtant longtemps \u00e9t\u00e9 appliqu\u00e9e \u00e0 la carri\u00e8re de Jada. Un prodige du rap responsable de nombreux moments de bravoures pass\u00e9s \u00e0 la post\u00e9rit\u00e9, de ses propres morceaux en solo et en groupe \u00e0 ses featurings, mais \u00e0 qui les auditeurs de rap reprochent souvent l\u2019absence d\u2019un album d\u00e9finitif, incontournable, incontestable. Un classique, en somme. Des bons disques, Jadakiss en a sorti. We Are The Streets<\/em>, deuxi\u00e8me album des Lox, est un des albums les plus percutants sortis chez les Ruff Ryders – si tant est qu\u2019on appr\u00e9cie ce style sauvage du label au deux R. Ses solos Kiss Tha Game Goodbye<\/em> (2001) et Kiss of Death<\/em> (2004) sont de solides blockbusters, mais en ont aussi les d\u00e9fauts avec des trous d\u2019air et des longueurs – ce que n\u2019a pas par ailleurs le premier album solo de Styles P, A Gangster And A Gentleman<\/em> (2002). Ce m\u00e8tre-\u00e9talon du classique a toujours pes\u00e9 sur les \u00e9paules de \u200b\u200bJason Terrance Phillips.<\/p>\n\n\n\n

Pourtant, lorsque Jadakiss se d\u00e9barrassait des imp\u00e9ratifs pop impos\u00e9s par l\u2019industrie musicale, il a \u00e9t\u00e9 l\u2019un des rappeurs les plus redoutables, tranchants, \u00ab\u00a0street smarts\u00a0\u00bb<\/em> qu\u2019a port\u00e9 le genre – si ce n\u2019est \u00e0 l\u2019\u00e9chelle du rap am\u00e9ricain, sans conteste \u00e0 celui de la sc\u00e8ne new-yorkaise. Deux moments d\u00e9cisifs l\u2019ont prouv\u00e9 ce soir-l\u00e0. Le premier \u00e0 la 33e minute, lorsqu\u2019il r\u00e9it\u00e8re un freestyle vieux de onze ans sur le \u00ab\u00a0Who Shot Ya?\u00a0\u00bb de Biggie<\/a>. Il ne rate quasiment aucun mot, se reprend m\u00eame sans probl\u00e8me lorsqu\u2019il bute sur une phrase. La foule r\u00e9agit \u00e0 chacune de ses punchlines (l\u2019effet de surprise d\u2019un texte moins connu joue) et il termine non pas sur un mic-drop<\/em> mais carr\u00e9ment sur un mic-launch<\/em>, rageur. Le deuxi\u00e8me moment arrive une demi-heure plus tard. Cam\u2019ron et Juelz viennent de terminer une prestation de \u00ab\u00a0Welcome to New York City\u00a0\u00bb aussi molle qu\u2019une figue trop m\u00fbre, et Jadakiss les tance avec nonchalance au point de r\u00e9colter un \u00ab\u00a0get the fuck out of here\u00a0\u00bb<\/em> \u00e9nerv\u00e9 de Cam\u2019ron. La suite est magistrale<\/a> : alors que d\u00e9bute l\u2019instrumental de \u00ab\u00a0New York\u00a0\u00bb de Ja Rule, sur lequel \u00e9taient en feat Fat Joe et Kiss, ce dernier d\u00e9roule une d\u00e9claration de foi aussi puissante que ses punchs. \u00ab\u00a0New York, the real New York. I\u2019m outside. I don\u2019t live in Miami. I don\u2019t live in Colorado. Come to my block and see me, my n***a. All of y\u2019all know I\u2019ll be down there. This is Kiss. I\u2019m outside !\u00a0\u00bb <\/em>\u00c0 cet instant, si Jadakiss n\u2019a pas une couronne royale sur la t\u00eate, il en a au moins une d\u2019\u00e9pines. Et vu comment le rappeur continue \u00e0 sa mani\u00e8re de porter la croix de ce style de rap, peut-\u00eatre devenu d\u00e9suet pour certains jeunes auditeurs en vingt ans d\u2019\u00e9volution du genre, il n\u2019a pas d\u00e9m\u00e9rit\u00e9 son moment de sacralisation. \u00ab\u00a0And I’m not cocky, I’m confident. So when you tell me I’m the best it’s a compliment. A-Ha !\u00a0\u00bb<\/em> – Rapha\u00ebl<\/em><\/p>\n\n\n\n

\n
Regarder le Verzuz The Lox vs Diplomats<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

C\u2019est une petite phrase qui a lieu apr\u00e8s un peu plus d\u2019une heure d\u2019affrontement, au time code 01:15:00 pour \u00eatre exact, de ce qui a \u00e9t\u00e9 le Verzuz le plus \u00e9pique de cette ann\u00e9e, celui opposant The Lox aux Diplomats. Alors que ses opposants d\u2019Harlem jouent l\u2019un de leur plus gros hits, \u00ab\u00a0Dipset Anthem\u00a0\u00bb, Jadakiss, […]<\/p>\n","protected":false},"author":1,"featured_media":677,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[11],"class_list":["post-545","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe","tag-portraits"],"acf":[],"yoast_head":"\nLe sacre de Jadakiss - L'ann\u00e9e rap 2021 - Abcdr du Son<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.abcdrduson.com\/special\/annee-rap-2021\/le-sacre-de-jadakiss\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le sacre de Jadakiss - L'ann\u00e9e rap 2021 - Abcdr du Son\" \/>\n<meta property=\"og:description\" content=\"C\u2019est une petite phrase qui a lieu apr\u00e8s un peu plus d\u2019une heure d\u2019affrontement, au time code 01:15:00 pour \u00eatre exact, de ce qui a \u00e9t\u00e9 le Verzuz le plus \u00e9pique de cette ann\u00e9e, celui opposant The Lox aux Diplomats. 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